Your past self is one of, or perhaps the most important friend you’ll ever have. I have recently started my annual course in Building physics which consists of Acoustics and Moisture transport. By now, I have enough experience to simply “wing” the acoustics part and get away with it, but Moisture theory is something completely different. Being a teacher in a topic you do not fully master is one of the scariest things I can think of. And now I have four lectures is Moisture transport approaching fast. Here, my past self has got my back covered, because last year when I did the lectures for the first time, I recorded all of it. It turned out extremely useful for rehearsal purposes.
Read MoreMy YouTube channel has seen some serious growth lately and I realized that it is time to up the ante regarding the production value. Up until now I have been using a Logitech BRIO webcam, and a Jabra Speak conference phone. They get the job done fine, but the camera struggles with White balance and focus and the microphone picks up a ton of room reverberation. So, I pulled the trigger and invested in a proper mirrorless camera with real optics and a spring-loaded studio arm to mount a large membrane microphone. This gave a huge boost in production quality and my online meetings have never looked and sounded this good. I am also proud that I kept going with basic equipment for almost 1½ years before upgrading. My past self had a tendency to get stuck in gear acquisition syndrome instead of producing content. You should always let the content come first, and then invest.
Read MoreYesterday I spent a day in a recording studio for the first time – As a client. I have been working in studio environments probably for thousands of hours and have recorded hundreds of songs. But I have always been the one in control of the recording process. A sound engineer recording himself as a musician is a completely different thing than a sound engineer being recorded as a musician, by another sound engineer. By entering the role of a client for just one day, I learned some lessons that aren’t apparent from the perspective of the sound engineer. This is an invaluable experience which can be applied in any domain, not just music.
Read MoreWhen designing a room, you need to balance and prioritize certain aspects against each other. For a home studio, I consider the following three to be the most important: 1) Acoustics, 2) Aesthetics and 3) Functionality. I am currently building my fourth home studio in my garage. Each iteration has had a different priority order and the results have varied accordingly. As with any project, you need to write down the purpose of the room, to understand how the parameters should be rank ordered. In this article, I will describe what I have learned from my different home studios.
Read MoreI read some excellent posts and comments this week by Jakob Heidbrink, where he explains the friction he has encountered with the sudden shift to e-learning. More specifically, he described the agonizing process of recording his lectures and how he spent eleven hours to record a 60-minute lecture. Heidbrink is correct in his analysis regarding the required time. I usually say that it takes 10X the time to record and post process a lecture (video editing), compared to just giving it in the classroom. I suspect most teachers that have tried this route will agree with the observation. However, it sounds to me like Heidbrink suffers from the “perfection equals paralysis” condition (also common among engineers). The primary reason for the 10X increase in time he explains, is that he re-records over and over because he stumbles upon words, scratch his nose, cough, and so on – basically just being human. He claims that when a teacher does this in the classroom it is acceptable, but on a recorded lecture such mistakes are not allowed. I disagree and here’s my proposed solution.
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